currency of the arts
Is ‘exposure’ (the official currency of the arts) inherently inflationary?
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Except for quotations and excerpts of other copyrighted material, this blog is licensed under a Creative Commons Attribution-Share Alike 2.5 License.
the continuing adventures of an improviser/guitarist:
being an unplanned collection of thoughts about the technical, social, pedagogical and practical dimensions of loosely idiomatic, sometimes experimental, mostly open, always traditional improvisation
About
the improvising guitarist has been using the same bio for four and a half years
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Index
Labels/Keywords
- audience (38)
- body (29)
- composition (16)
- group (38)
- guitar (46)
- identity (55)
- instrument (40)
- interaction (42)
- listening (31)
- pedagogy (53)
- score (5)
- social (74)
- solo (10)
- strategy (48)
- technique (44)
- terminology (34)
- tradition (45)
- tutorial (24)
Recent Comments
Blogs
- Alexander Hawkins
- All At Once
- AvantUrb
- be.jazz
- Bob Ostertag
- closer to the microphone
- Darcy James Argue’s Secret Society
- Dark Forces Swing Blind Punches
- Destination: OUT
- DO THE MATH
- Force of Circumstance
- HurdAudio
- Improvisation and the Classical Musician
- It Is Not Mean If It Is True (Attack Attack Attack)
- Jazz: The Music of Unemployment
- Just outside
- Lulu’s Back in Blog
- Mixed Meters
- mostly musicology
- roboflutist
- Scratch My Brain
- Settled In Shipping
- Shadows of a People
- SoundSlope
- SpiderMonkey Stories
- Stochasticactus
- visionsong
Guitarists
- Adrian Belew
- Jean Paul Bourelly
- Glenn Branca
- Eugene Chadbourne
- Nels Cline
- Nick Didkovsky
- Janet Feder
- Bill Frisell
- Fred Frith
- David Gilmore
- Mary Halvorson
- Billy Jenkins
- Annette Krebs
- Arto Lindsay
- Réne Lussier
- Bern Nix
- Otomo Yoshihide
- Hans Reichel
- Vernon Reid
- Marc Ribot
- Elliott Sharp
- Sonic Youth
- Sonny Sharrock
- David Torn
Except for quotations and excerpts of other copyrighted material, this blog is licensed under a Creative Commons Attribution-Share Alike 2.5 License.
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